Wes Lang – Grateful Dead post-war art and black to test their

and black to test their visual intensity

and posters in his practice — a conceptual stance he established as early as his groundbreaking 1993 solo exhibition

We Are Ships at Sea Not Ducks on a Pond

underscores Ruscha’s interest in non-hierarchical structures and his refusal to guide the viewer toward a singular reading

drawing attention to the interplay of light and shadow within the dense

Wes Lang – Grateful Dead post-war art and black to test theirWes Langs Grateful Dead is a richly detailed screenprint that celebrates the artists signature fusion of Americana iconography, tattoo inspired drawing, and rock mythology. Published in an edition of 250 in 2016, this limited edition print captures the spirit of the legendary band through an intricate composition of skulls, roses, lightning bolts, and handwritten notesmotifs that have become synonymous with both the Grateful Deads imagery and Langs