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Mass in Bb major D 324 [Op. post. 141] [organ part] series__Mass in Bb major D 324 [Op. post. 141] (Schubert) In the exposition of the
Mass in Bb major D 324 [Op. post. 141] [organ part] series__Mass in Bb major D 324 [Op. post. 141] (Schubert) In the exposition of the
Mass in Bb major D 324 [Op. post. 141] [organ part] series__Mass in Bb major D 324 [Op. post. 141] (Schubert) In the exposition of the
Mass in Bb major D 324 [Op. post. 141] [organ part] series__Mass in Bb major D 324 [Op. post. 141] (Schubert) In the exposition of the

Mass in Bb major D 324 [Op. post. 141] [organ part] series__Mass in Bb major D 324 [Op. post. 141] (Schubert) In the exposition of the

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Description

In the exposition of the first three subjects he “programmed” the later permutational stretti

The cycle entitled Mirages was composed in 1919

arranged as a rhymed libretto with various roles by Franz Bonn (1830-1854)

whose instrumental parts (only these have survived) Bach reused in the Leipzig Pentecost cantata

in which the romantic inclination to recreate extra-musical material in music found an expecially fruitful field of exploration

Mass in Bb major D 324 [Op. post. 141] [organ part] series__Mass in Bb major D 324 [Op. post. 141] (Schubert) In the exposition of the

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