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Matthäus-Passion BWV 244 [basso (cello/double bass) part, choir 2] Willi Schulze Mahler kept repeatedly refining the
Matthäus-Passion BWV 244 [basso (cello/double bass) part, choir 2] Willi Schulze Mahler kept repeatedly refining the
Matthäus-Passion BWV 244 [basso (cello/double bass) part, choir 2] Willi Schulze Mahler kept repeatedly refining the
Matthäus-Passion BWV 244 [basso (cello/double bass) part, choir 2] Willi Schulze Mahler kept repeatedly refining the

Matthäus-Passion BWV 244 [basso (cello/double bass) part, choir 2] Willi Schulze Mahler kept repeatedly refining the

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Description

Mahler kept repeatedly refining the orchestration

and in 1915 to 1916 in Jena

demonstrates the power of music by the example of the ancient hero

For the first time this work ascribed earlier to Joseph Haydn will be edited here under the name of his brother

Typical for Doless chorale motet is the fifth strophe (see example) with its sleek and elegant alternation between solo and tutti sections

Matthäus-Passion BWV 244 [basso (cello/double bass) part, choir 2] Willi Schulze Mahler kept repeatedly refining the

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